| Heart Huntington Completed |
| Heart Huntington Completed Side View |
September 30, 2026—My needlepoint chapter, the Delaware Seashore Chapter of ANG, is again participating in our local hospice’s Christmas tree program. This year’s theme is bargello ornaments, with members free to interpret the theme as they wish. The only guideline was to keep each ornament small—under 4 inches. Below is my adaptation of a pattern published in the latest issue of ANG’s Needle Pointers magazine (2026, Vol. 5, September/October), designed by Deborah Reichert.
I stitched two ornaments, reversing the thread colors between them and reducing the graphed design to a 3-inch square. I used threads from my stash and stitched on 18-count PVC (plastic) canvas. Because the holes are very small, this canvas limits you to a size 24 or 26 needle and strandable floss. I used Pepper Pot Silk in a few bargello rows and needed pliers to pull it through the canvas. For each ornament, I made a plastic-canvas backing and joined the front and back with buttonhole stitch. I may cover the backs with self-stick felt or leave them as they are. If I make these again, I'll needlepoint or cross-stitch a holiday phrase on the back.
September 22, 2026--With Zweigart 18 count mono canvas being so difficult to acquire these days, I thought I'd try Mill Hill's new 18 count PVC (plastic) canvas. It comes in 9" x 12" sheets in color white only. A colorfast marker worked well and I'll next try acrylic paints on it. Mill Hll recommends using size 24 or 26 tapestry needles and they aren't kidding. This limits the type of threads to strandable floss or smaller metallics (e.g., 2 strands of Kreinik size 8). Ribbon type threads won't work. They require needles that are too large.
Note: After perusing Wichelt's website, it appears that 18 count perforated paper is no longer available (only 14 count can still be purchased).
| Distortion Caused by Too Large Needle and Thread |
| Closeup Front of Canvas Showing Distortion |
| Back of Canvas with Distortion Removed by Heat |
|
September 12, 2026—I have a new favorite tool: the needle
puller I purchased from Amazon.
About a week ago, Jane at Chilly Hollow wrote about a Bohin
Needle Puller used by quilters. I learned that Amazon sells it for about $23,
while a generic version of the same tool costs $12—so I snapped one up. There
are plenty of YouTube videos that show how to use the device. Because arthritis
has caused my fingers to lose strength, I had been using small pliers to pull
needles through the back of my work to secure thread. This needle puller fits
comfortably in my hand and is so easy to use. It’s perfectly designed to work
like a thimble for pushing the needle through fibers, then like a puller to
complete the action.
I’ve even developed a side-scoop method: I guide the needle
into the puller, press the plunger to secure it, and then pull. Easy.
August 19, 2026--Just finished stitching my fourth Fancy That stocking designed by Kaitlyn Marie called Pearls and Gold. These are fun to stitch with beautiful results. I love how the "nap" of the two different stitching directions gives the impression of two thread colors as evidenced by the two photos below. The thread, white Iris Floss, is naturally "wrinkly" so doesn't lay absolutely flat, even after using a flat hair iron on it. The toe area was covered with teeny, tiny size 14 seed beads.
| Stocking Fancy That Pearls & Gold Side View |
August 16, 1926—Last week, I took a class with my local EGA
chapter on a needlework technique called “Chicken Scratch.” I didn’t know
anything about it, but I was happy to jump in and find out why the stitching can
look so wonderfully lacy on gingham fabric.
That lacy look comes from covering the dark squares of the
gingham weave with full stitches in white thread (see above). The technique
uses just a small group of stitches: cross stitch, double cross (or Smyrna),
woven ovals, squares, and daisies wrapped around running stitches. These are usually
worked in white floss or perle thread. What’s fun is that, depending
on how you arrange the stitches on the fabric, the finished pieces can look
quite different, as you can see in the photo below of work by Yukika Wada.
And where did the name come from? I’m told that, on the back
of the project, the threads carried from one square to another look a bit like “chicken
scratch”—and that’s how the technique got its name.
I’ve come across photos of beautiful pillows, pincushions,
aprons, pockets, clutch purses, and all sorts of other pieces worked in Chicken
Scratch. Unfortunately, it seems to have fallen out of favor, but who knows? Maybe
someday it will make a comeback.
July 26, 2026--In 2022, I attended the ANG Seminar held in
Tucson, AZ and was signed up to take Janet Zickler Casey's class called Tiffany
Heart. As luck would have it, I contracted COVID halfway through the
seminar and went into quarantine for the balance of the event, missing the class.
The kit was later mailed to me, and it languished in my planned projects pile
until a few weeks ago when I decided to dive in.
| Heart Tiffany Completed |
| Heart Tiffany Side View |
As many of Janet's designs do, this one introduced a new
challenge for me: bead looming, which
I've never tried before. I started by watching a few YouTube videos to
get a sense of the process, then jumped in with a little knowledge and a lot of
curiosity. First, I stitched the heart. Then, following Janet's excellent written
instructions, placed 16 warp threads from top to bottom around the stretcher
bars, using two wine corks to add tension at the top and bottom.
Then the fun began. The bead looming itself was fairly straightforward; I just had to make sure I caught all the beads with the needle on each row. The most difficult part of the project was sinking the ten tail threads from each side of the beaded ribbon into the canvas. The ribbons formed a lovely bow shape, thanks to the special stiffening liquid Janet included in the kit.
| Bead Loom set up on stretcher bars |
| Bead Loom set up on Canvas Side View |
July 10, 2026--The information page and registration form are up on the Rehoboth Beach Museum's web site and can be found at: Registration
It's also below. Hope to see your projects on display.
May 14, 2026--Heads up! I just received the following from the Rehoboth Beach Museum announcing the dates for the 14th Annual Needlework Exhibit.
Start Stitching! The 14th Annual Needlework Exhibit will be held September 11th - November 1st, 2026 at the Rehoboth Beach Museum. Drop off of needlework will be permitted from August 23rd through August 29th, 2026. Stay tuned for more details on paperwork and events.
See you there.
June 24, 2026--This is another Nancy Cucci heart designed in honor of Laurie McLellan. I stitched this in the lavender colorway using most of the threads on the supply list. I was unable to find a 12 mm center heart, so settled for the exact color in a 16 mm size. Doesn't look too bad. I also made a serious error in the top left area--the beads were to be placed in every other row. Instead, I placed a bead on every blank thread--way too many and looks a little top heavy. But I'm not inclined to cut the beads off the canvas and do the section all over again, so there it shines in all its overdone splendidness.
| Heart for Laurie Completed |
Here's what Nancy wrote about Laurie:
| Stocking Fancy That Crimson & Gold Completed |
May 9, 2026--I placed the last stitch on this beautiful, very shiny heart today and look forward to finishing it as an ornament in the near future. I had fun leading this project to a handful of my ANG chapter members and they are moving along nicely. There was an initial glitch when we learned the threads recommended by the designer are no longer available, but we found RG's Neon Rays made a very nice substitute. This will make a nice addition to my Memorial Day, Independence Day and Labor Day decorations.
| Fourth of July Heart Completed |
March 13, 2026--I have the pleasure of leading a class at the Delaware's Seashore Chapter of ANG May meeting called Fourth of July Heart designed by Margaret Bendig. The instructions were published in ANG's July 2008 Needle Pointers Magazine. Since we'll have just a few hours to cover everything in class, I'm going to teach it "seminar" style where a little bit is done in each section so the students will learn the stitches involved, then the heart can be completed at home. Of course, there will be lots of "thread spaghetti" to contend with. Below is the "prework" the members will be asked to do before the class begins.
| Heart Fourth of July Prework |
March 26, 2026--I just finished another beaded necklace and bracelet set, Ombre, by Rebeca Ann Combs of Design & Adorn. I love how the colors transition from deep navy blue to speckled gold.
The pieces were created using a Kumihimo disk with eight lengths of beaded cord, and the instructions were clear, well written, and easy to follow. Through this project, I learned how to cover a metal magnetic end cap using peyote‑stitched Delica beads—a small detail that adds a beautiful, professional finish and was surprisingly easy to do.
| Necklace and Bracelet Beaded Ombre |
| Kumihimo Disk Setup |
February 24, 2026--Here's another beautiful design by Nancy Cucci called My Beading Heart. The instructions were printed in the January/February 2010 issue of Needlepoint Now Magazine and were very easy to follow. I did have some problems sourcing the Mill Hill Treasure flat margarita beads #13005 since that color has been discontinued. The color I found is a bit "pale", but I used them anyway. I also had problems with DMC Red #321 thread from my stash--it bled into the white sections. I've never seen that happen before but have read that it does occur occasionally. So, I switched to RG Splendor #820 Ruby Red--perfect.
The beads give lots of dimension and shine.
| My Beading Heart Completed |
| My Beading Heart Side View |
I did have fun learning how to color in the red sections using acrylic paint. I first had to mix up a batch of Flow Aid Solution by diluting it with water, then mix some of that up with Gesso to prepare the canvas, then mix up some of the diluted Flow Aid Solution with the red acrylic paint (almost a 50/50 mix). I used a thin, flat brush to spread the paint into the red areas and a dry flat brush to open any holes that got blocked. It turned out to be a very easy project, and I look forward to using this technique whenever I want to use dark thread on white canvas--no more "show through".
| My Beading Heart Painted |
February 18, 2026--Thoroughly enjoyed beading up this necklace called Casual Friday designed by Glenda Paunonen of Beads Gond Wild. I purchased the full kit which included all the beads, pendant, clasp and thread, along with an easy to read and understand set of instructions. The pendant is removable, so I can wear something different with the necklace. Love options.
| Necklace Casual Friday Finished |
| Necklace Casual Friday Being Worn |
February 12, 2026--Here's another beaded necklace I worked up designed by Design and Adorn called Dreaming of Venice. I ordered the full kit which included an excellent set of instructions, beads, pendant, string, needle, Tierra Cast toggle clasp and endcaps, jump rings, etc. This necklace is done using a Kumihimo disk which I love--it makes for a very portable project since the beads are pre-strung, and each string is rolled up on a bobbin (8 of them). I love the "ombre" color movement from light, silvery blue on the sides to black with gold interspersed in the center. In fact, the hardest thing about this necklace was the exact count required for stringing up the beads. Once that's done, it's easy to move forward on the disk.
The last time I worked up one of these Kumihimo necklaces, I learned how to easily fix errors, so was able to do this while working with the light blue, silvery beads. Once I started placing black beads, I see now that I missed a few. Fortunately, the spots with the missing beads are not visible, so I'm not going to stress about it.
February 11, 2026--I worked on this project off and on for over a period of 12 months, even having to order more dark blue beads. The color of the #8 blue beads is called Montana, and I've used this color in other beaded projects--love it. The size 8 white beads are a mix of matte, shiny, clear, opaque, etc. called "White Wedding Mix". I like how it seems to give depth to the chenille stitch. The instructions were done by Jill Wiseman Designs and these, along with her YouTube videos, made the stitch extremely easy to work up. Next time I'll make a necklace set using size 11 beads. It'll be narrower but will make an excellent "rope" for an embellished pendant.
| Necklace and Bracelet Beaded Chenille Stitch |
I just realized I haven't posted anything about beaded jewelry since September of 2024. That's too long.
February 6, 2026--Stitching is complete on another one of Janet Zickler Casey's Santas--this one is the Mardi Gras Santa. The stitch used for the hat brim looked very "tweedy" when first done, but when fluffed up with a Bunka brush, the stitch lost its definition. However, I like how full it looks now. I'm thinking about making a Kumihimo cord of red, green, purple and gold 1/8" ribbon. What do you think?
| Santa Mardi Gras Completed |
I'm glad to report that my lungs have healed, for the most part, from the pneumonia I caught last month. The second set of X-rays confirmed this. Yay!
January 29, 2026--The hat is done and was a lot of fun to stitch. The gold thread separating the three segments of the hat was supposed to have been worked up with a Color Twist Dark Gold thread, but I shredded the devil out of it, so gave up and used a Kreinik #32 flat braid couched down with a matching Accentuate thread. I like it so much more since it really stands out. Next up--the beard and hair on the side of his face.
| Santa Mardi Gra Hat Completed |
January 25, 2026--In August of last year I purchased the latest Santa cutie designed by Janet Zickler Casey from the Shining Needle Society. This one is called Mardi Gras Santa, and I understand the design is based on Polish glass Christmas ornaments which worked perfectly with ANG's 2025 Seminar in New Orleans where this latest Santa was taught as a class. Due to supply chain issues, we didn't get the kits until last week and I've been able to complete Lesson 1.
January 31, 2026--Done!! I added two additional rows of beads to the upper edge, then bezelled the center Rivoli. Bezelling anything is very new to me and my inexperience shows--mine is a little off center. But it's done and I'm pretty happy with it. And my rings, earrings, etc. look wonderful sitting in the dish.
| Ubunto Dish Completed Top View |
| Ubunto Dish Completed Side View |
| Ubuntu Dish Sitting on Bath Countertop Holding Jewelry |
January 22, 2026--All 14 panels have been beaded and stitched together, and I love how lacy it looks. This is larger than expected (about 5" in diameter). The bead colors (white with navy and gold edges) are perfect together. Next up is the bezelled Rivoli placed in the center of the dish. I have very little (almost none) experience in doing this, so I see lots of "two steps backward for every one forward" in my future. Wish me luck.
| Ubuntu Dish in Process - Side View |
January 11, 2026--I'm a member of the Seed Beads and More Facebook page where I found a free pattern designed by Cath Thomas called Ubuntu Dish for 2025 International Bead Week (IBW). The project, as designed, is done with different color beads for each of the 14 "panels". I decided to work up mine in all white with a navy blue and gold edge.
I hesitated to tackle this, not knowing if I would be able to do such a complicated project. However, after sitting down for an hour or so to completely comprehend the instructions, I found that I could easily work this up because the instructions were so well done. And I also discovered that yes, you can teach an old dog a new trick or two.
Here's the project as designed:
![]() |
| Ubuntu Dish as Designed |
| Ubuntu Dish - 4 Panels Done to date |
Brenda, the bowl is absolutely beautiful! I wish I could do beadwork but these days even buttons are a challenge. I can’t wait to see it all finished.
ReplyDelete